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Zandra Harms, 1968, Tyskland

When confronted with the work of Zandra Harms you inevitably build a personal relationship towards it. They are familiar, not least because it’s the human figure or human-like figure in the heart of things. The first formally suggested uniqueness also contrary awakes a feeling that the relationships between the characters, things, figures and their environment is being disrupted, ambiguously and strange, -it even comes a little scary to mind.

The uncanny, possibly comes through Freud and the realm of the familiar, the homely feeling as a subliminal almost threatening situation.

The disturbing effect is perhaps not undramatic as in the indifference with which the characters in the pictures seem to have accepted them

strange situation as an unalterable normality.

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